GPG 3권 6부 참고자료

[OggVorbis02] Ogg Vorbis, http://www.vorbis.com, June 2001.
[XiphHome02] Xiphophorus, http://www.xiph.org, June 2001.
[XiphName02] Xiphophorus names and logos, http://www.xiph.org/xiphname.html, June 2001.

[Creative02] Creative Technology, Ltd., “Creative Labs - Developer Central,” http://developer.creative.com, March 2002. “Games” 섹션에는 EAX와 OpenAL에 대한 정보가 있으며, 문서화 및 SDK도 포함되어 있다.
[Loki01] Loki Entertainment Software, “OpenAL | Open Source Audio Library,” http://www.openal.org, March 2002. OpenAL 소스 코드 및 메일링 리스트가 있다.

[I3DL2] IASIG, “Interactive 3D Audio Rendering Guidelines Level 2.0,” http://www.iasig.org, Los Angles, CA, 1999.
[Jot99] Jot, J. M., “EAX 4.0 Specification,” Creative Labs, Inc., Milpitas, CA, 2001.
[Kutt00] Kuttruff, H., Room Acoustics, Fourth Edition, Spon Press, London, U.K. 2000.

[Dodge97] Dodge, Jerse, Computer Music Synthesis, Composition and Performance, Simon & Schuster, 1997.
[Moore90] Moore, F. Richard, Elements of Computer Music, Prentice Hall, 1990.
[RBJ] Bristow-Johnson, Robert, “Cookbook Formulae for Audio EQ Biquad Filter Coefficients,” http:// http://www.musicdsp.org/.

[Cher98] Cher, Believe, WEA/Warner Bros., 1998.
[Degener94] Degener, Jutta, “Digital Speech Compression,” Dr. Dobbs Journal (December 1994), http://www.ddj.com/documents/s=1012/ddj9412b/.
[Degener00] Degener, Jutta, “GSM 06.10 Lossy Speech Compression,” http://kbs.cs.tu-berlin.de/~jutta/toast.html, July 2000.
[ETSI00] “Digital Cellular Telecommunications System (Phase 2+); Full Rate Speech; Transcoding," (GSM 06.10 version 5.2.1 Release 1996), Third Edition, European Telecommunications Standards Institute, 2000. Available online (free registration required) at http://webapp.etsi.org/pda/.
[Lucas99] Lucas, George, The Phantom Menace, 20th Century Fox, 1999.
[Nation63] Nation, Terry, Dr. Who: The Dead Planet, British Broadcasting Corporation, 1963.

[Chamberlin80] Chamberlin, Hal, Musical Applications of Microprocessors, Hayden, 1980.
[Dodge97] Dodge, Jerse, Computer Music Synthesis, Composition and Performance, Simon & Schuster, 1997.
[Moore90] Moore, F. Richard, Elements of Computer Music, Prentice Hall, 1990.
[PortAudio01] Bencina, Ross, “PortAudio - an Open-Source Cross-Platform Audio API,” http://www.portaudio.com/, 2001.
[Roads96] Roads, Curtis, The Computer Music Tutorial, MIT Press, 1996.
[Softsynth02] Burk, Phil, “Biquad Filters and Stochastic Synthesis,” http://www.softsynth.com/gamegems/, 2002.

[Ackermann94] Ackermann, Philipp, “Design and Implementation of an Object-oriented Media Composition Framework,” http://citeseer.nj.nec.com/ackermann94design.html, 1994.
[Burk01] Burk, Phil and Ross Bencina, “PortAudio - An Open-Source Cross-Platform Audio API,” http://www.portaudio.com, 2001.
[GENRef] Generator by Native Instruments, http://www.native-instruments.net/.
[MAXRef] MAX / MSP by Cycling 74, http://www.cycling74.com/index.html.
[PDRef] Puckette, Miller, “Pure Data Dot Org,” http://www.pure-data.org/.
[Rabin00] Rabin, Steve, “Classic Super Mario 64 Third-Person Control and Animation,” Game Programming Gems 2, Charles River Media, Inc., 2001. 번역서는 “명작 Super Mario 64의 3인칭 조종 및 애니메이션”, GameProgrammingGems 2, 정보문화사, 2002.
[Sim-Schmitz99] Sim, Ben and Fredric Schmitz, “Acoustic Phasing and Amplification Effects of Single-Rotor Helicopter Blade-Vortex,”(PDF), Proceedings of the 55th Annual National Forum American Helicopter Society, 1999.
[Smith91] Smith, Julius O., “Viewpoints on the History of Digital Synthesis,” Proceedings of the International Computer Music Conference, October 1991: pp. 1-10.
[Visiomedia] Updates to the Sphinx MMOS system, http://www.visiomedia.com/rooms/labor/src/sphinxmmos/index.htm.
[Wang99] Wang, Geng, “Prediction of Rotorcraft Noise with a Low-Dispersion Finite Volume Scheme,” http://www.ae.gatech.edu/~lsankar/CERT/, 1999.